My favorite light modifier, and why I use it "wrong", on purpose

My favorite modifier is the Westcott 7' Parabolic Umbrella (the all-white one). I receive so many comments saying I am using my modifier wrong, and I am so excited to share my reasoning behind that. You can view my setup here!

HIGHLIGHTS

Why is my setup like this?

If you are using a modifier the normal way, then the back of the umbrella faces the subject. The umbrella acts like a layer of diffusion. This is a great way to use them and the way that most photographers choose to use modifiers.

However, I use mine the opposite way. I set it up like a traditional parabolic umbrella with the back of it facing away from the subject.

My studio space has tall ceilings and all-white walls. When I set up my modifier the way I do, the light hits the back of the modifier and goes through it, and fills up my entire studio space.

I still bring my modifier in close to my subjects and place a diffusion panel on the front. This gives me a super soft, beautiful light by adding extra levels of diffusion.

This method may be a little unconventional, but it helps me create soft light and gorgeous catch lights, which I love. The Westcott parabolics are also very affordable—mine is only $99! I encourage you to give them a try for yourself!